Moelyono, Thanom Chapakdee and Tran Luong are three artists of the same generation. Their works are closely related to the political contexts in their respective countries, in which period when they begin working on, the issues of censorship and state control are crucial. These three artists challenged the risk of fighting for freedom of thought and creation, opening hidden narratives. To them, art is a political way to amplify muted voices. How do they struggle to find their political paths? How do art and activism work in the context of changing regimes and art systems? This discussion dismantle the practices and ideas of partiality of the three artists, guided by Naomi Srikandi, who also shares her recent experiences in art and activism.
